I cannot believe Curvy Kate’s audacity to outright steal the work of a high school student for some insipid marketing message.
Shame on you, Curvy Kate. Shame on you.
Original image via: Rosea Posey
SIGNAL BOOST RIP THEM A NEW ONE TUMBLR!
IT’S NOT EVEN A THING YOU SHOULD MARKET
NOT ONLY DID YOU STEAL THE GIRL’S WORK
YOU FUCKING HAD NO IDEA WHAT SHE WAS TRYING TO SAY
THEY COMPLETELY RUINED HER MESSAGE AND TURNED IT UPSIDE DOWN. WHAT THE FUCK. WHAT THE ACTUAL FUCK I’M SO FUCKING MAD
so i went to homecoming last night
the best is when you’re reminded that “nothing” is elizabethan slang for female genitals, so shakespeare literally titled his play
much ado about pussy
Ah, Shakespeare. Such fine and serious art. So serious.
If Sherlock meets Benedict. inspired by this
when you actually do your homework but leave it at home
that’s the scariest way to hold a phone ever
That face you make when you find weird shit at stores, and then offer it to your friend.
Buffy Sainte-Marie: Why she kicks ass
- She is a Canadian-American Cree singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist. Throughout her career in all of these areas, her work has focused on issues of Indigenous peoples of the Americas.
- She founded the Cradleboard Teaching Project, an educational curriculum devoted to raising self-identity and self-esteem in present and future generations of Indian children by introducing them to enriching, accurate information about Native American people and cultures. She has won recognition and many awards and honours for both her music and her work in education and social activism.
- By 1962, in her early twenties, Sainte-Marie was touring alone, developing her craft and performing in various concert halls, folk music festivals and Native Americans reservations across the United States, Canada and abroad. She spent a considerable amount of time in the coffeehouses of downtown Toronto’s old Yorkville district, and New York City’s Greenwich Village as part of the early to mid-1960s folk scene, often alongside other emerging Canadian contemporaries, such as Leonard Cohen, Joni Mitchell (including introducing her to manager Eliot Roberts), and Neil Young.
- One of her most popular songs, “Until It’s Time for You to Go”, has been recorded by artists as diverse as Elvis Presley, Barbra Streisand, Neil Diamond, Michael Nesmith, Arthur Fiedler and the Boston Pops Orchestra, Roberta Flack, Françoise Hardy, Cher, Maureen McGovern, and Bobby Darin, while “Piney Wood Hills” was made into a country music hit by Bobby Bare. Her vocal style features a frequently recurring, insistent, unusually sustained vibrato, one more prominent than can be found in the music of any other well-known popular music performer.
- In late 1975, Sainte Marie received a phone call from Dulcy Singer, then Associate Producer of Sesame Street, to appear on the show. According to Sainte-Marie, Singer wanted her to count and recite the alphabet like everyone else, but instead, she wanted to teach the show’s young viewers that “Indians still exist”. She regularly appeared on Sesame Street over a five-year period from 1976 to 1981, along with her first son, Dakota Starblanket Wolfchild, whom she breast-fed in one episode. Sesame Street even aired a week of shows from her home in Hawaii in December 1977.
- In 1969 she started a philanthropic non-profit fund Nihewan Foundation for American Indian Education devoted to improving Native American students participation in learning.
- She founded the Cradleboard Teaching Project in October 1996 using funds from her Nihewan Foundation and with a two-year grant from the W.K. Kellogg Foundation of Battle Creek, Michigan. With projects across Mohawk, Cree, Ojibwe, Menominee, Coeur D’Alene, Navajo, Quinault,Hawaiian, and Apache communities in eleven states, partnered with a non-native class of the same grade level for Elementary, Middle, and High School grades in the disciplines of Geography, History, Social Studies, Music and Science and produced a multimedia curriculum CD, Science: Through Native American Eyes.
- In 1996 she received an honorary Doctor of Laws Honoris Causa degree from the University of Regina in Regina, Saskatchewan, Canada. She then gave the convocation address to the administration, education, and engineering graduates. As part of the address, she sang a song about the Canadian Indian residential school system.
- In 2007 she received an honorary Doctor of Letters from Emily Carr Institute of Art and Design in Vancouver, British Columbia, Canada. On 13 June 2008, she received an honorary Doctor of Laws degree from Carleton University, in Ottawa, Canada, an honorary Doctor of Music from The University of Western Ontario on June 10, 2009, in London, Ontario, and an honorary Doctor of Fine Arts from the Ontario College of Art & Design on June 4, 2010, in Toronto, Ontario, Canada. On May 23, 2012 she received an honorary Doctor of Letters from the University of British Columbia in Vancouver, British Columbia.
- She spoke out in a 2008 interview at the National Museum of the American Indian that she had been blacklisted and that she, along with Native Americans and other native people in the Red Power movements, were put out of business in the 1970s. In a 1999 interview at Diné College given to a staff writer with Indian Country Today, she said "I found out 10 years later, in the 1980s, that President Lyndon B. Johnson had been writing letters on White House stationery praising radio stations for suppressing my music, In the 1970s, not only was the protest movement put out of business, but the Native American movement was attacked.”